Back to insights

Why experience now goes beyond two audiences

Customers and employees are no longer enough. Why partners, influencers and society now shape commercial performance, and what it means for experience.
Insights
June 6, 2026

For most of the past three decades, experience management has been a two-audience discipline. Customer experience emerged in the late 1990s and quickly became a recognised field with its own methodology, certifications, and metrics. Employee experience followed more recently, drawing on engagement research and HR transformation. Together, customer and employee experience now dominate the conversation, the budgets, and the executive attention that organisations devote to managing how they are perceived.

This two-audience model was sufficient for the world in which it was built. It is no longer sufficient for the world in which most organisations now operate. Three other audience relationships have become commercially consequential in ways they were not a decade ago, and the cost of continuing to treat them as secondary is now visible in the financial performance of organisations that have failed to recognise the shift.

What the two-audience model was built for

The two-audience model was not a mistake. It was a reasonable response to the conditions of the time it was built in.

In the late 1990s and through the 2000s, the consumer was the primary commercial relationship for most organisations, and the employee was the primary internal one. Partner relationships were transactional. Influencers, in the modern sense, did not exist as a distinct category. Society's relationship with organisations was mediated through governments and regulators, not directly through audiences with the power to affect commercial outcomes.

In that environment, focusing experience investment on customers and employees was efficient. The two-audience model produced real commercial outcomes, and the disciplines that grew up around it (CX, EX, NPS, engagement surveys, journey mapping) developed serious methodology.

The conditions that made the two-audience model sufficient have now changed. Three forces in particular have expanded the audience frame from two to five.

Radical transparency has made every audience relationship publicly visible. The conditions of supply chains, the treatment of partners, the authenticity of influencer relationships, and the consistency of stated values with actual conduct are now part of the public record. What used to be private is now permanently accessible to every audience an organisation impacts.

Artificial intelligence has commoditised the capabilities that used to provide differentiation. When two competitors can produce a comparable product at a comparable price using comparable tools, the experience of every audience touching the organisation becomes a primary variable, not a secondary one.

The expansion of audience expectations has changed what those audiences require. Partners now expect to be treated as collaborators. Influencers expect authenticity. Society expects organisations to behave consistently with the values they claim. These are not preferences. They are increasingly the conditions under which commercial outcomes are produced.

Three audiences have moved from the periphery of the experience conversation to its centre. The frameworks designed around the two-audience model do not have the architecture to manage them.

The partner audience

Partners are the organisations and individuals that distribute, resell, deliver, or co-create an organisation's products and services. Suppliers, distributors, franchisees, technology providers, implementation specialists, and channel partners of every kind.

Two facts about the partner relationship are worth establishing before going further. By 2025, partners influenced more than 95 percent of Microsoft's commercial revenue, generating an estimated $8.45 for every dollar Microsoft earned. By the same year, 75 percent of all global B2B transactions flowed through channel partners. For most organisations selling B2B, the partner ecosystem is now the primary commercial channel.

The implication is that the partner relationship is no longer a procurement matter. It is an experience matter. The quality of how an organisation manages its partners directly determines the quality of the experience those partners can deliver to the organisation's customers. Salesforce built its growth model on this principle. Microsoft, Apple, and Adobe have all done the same. The organisations that treat partners as active extensions of the brand outperform those that treat them as vendors.

The cautionary case is equally instructive. Uber's relationship with its drivers, structurally the most essential partner relationship in its operating model, has been managed extractively for more than a decade. The result is documented driver disengagement, regulatory action across multiple countries, and a consumer experience whose quality is directly degraded by the partner experience that underpins it. The partner relationship is the foundation of the consumer experience. Uber has demonstrated, at scale, what happens when an organisation forgets that.

The partner audience cannot be managed as a sub-function of procurement, supply chain, or vendor management. It requires its own experience strategy, derived from the same principles that govern every other audience relationship, with the same standards of measurement and accountability. The two-audience model has no place for this. The five-audience model does.

The influencer audience

Influencers are the journalists, analysts, content creators, industry voices, community leaders, and public figures whose opinions shape how other audiences perceive, evaluate, and engage with an organisation. The category extends beyond the obvious social media figures to include traditional media, expert analysts, community leaders, and the brand ambassadors whose authentic advocacy carries more credibility than any paid campaign.

This audience carries disproportionate power relative to its size. A single trusted voice, positive or negative, can shift public perception in ways that months of advertising cannot move. Brands generate an average of $5.78 for every dollar invested in influencer marketing, with top-performing campaigns achieving returns of up to twenty times the spend.

The commercial case for managing the influencer audience is established. What is less well understood is that managing influencers requires a different discipline from the PR and communications functions that have traditionally owned the relationship. PR is optimised for message control. The influencer relationship is built on authenticity, which cannot be controlled into existence. It can only be earned through consistent values alignment and genuine engagement.

Pepsi's 2017 Kendall Jenner advertisement is a documented example of what happens when influencers are selected on reach rather than authenticity. The advertisement was pulled within 24 hours and drove Pepsi to its lowest consumer perception levels in almost a decade. The failure was not in the production or the media buy. It was in the experience of asking an influencer with no credible connection to the cause to carry a message her audience knew she had no standing to deliver.

Influencer experience is the discipline of building relationships in which authentic advocacy becomes possible. It requires its own architecture, its own measurement, and its own accountability. The two-audience model treats this audience as a marketing channel. The five-audience model treats it as a relationship.

The societal audience

Society is the communities, environments, regulatory bodies, and civil institutions within which an organisation operates. It is the broadest and most complex of the five audiences, and the one most often dismissed as belonging outside the experience conversation.

The dismissal is no longer defensible. Companies in the top ESG quintile outperformed those in the bottom quintile over the 2012 to 2023 period, according to MSCI's 2024 analysis. LEGO's decision to manage its societal experience with the same rigour it applies to its consumer experience produced 13 percent revenue growth in 2024 alongside a 68 percent increase in sustainability investment, demonstrating that societal experience and commercial performance are reinforcing rather than competing priorities.

The cautionary cases are even more instructive. Tesla, for much of its first decade, was one of the most admired brands in the world. By every conventional experience metric, it was performing. Then the experience of a broader audience began to matter in ways that no CX dashboard had anticipated. Elon Musk's increasingly polarising public behaviour, his acquisition of Twitter, his political associations, and his inflammatory commentary reshaped how a significant portion of society experienced not just the man but the brand inseparable from him. Tesla sales in key markets declined sharply. Owners reported feeling uncomfortable driving a car that had become a political symbol. The product had not changed. The societal experience had.

This is not corporate social responsibility reframed in new language. CSR was an adjacent function that ran parallel to the core business, often funded as a compliance exercise. Societal experience is the recognition that organisations do not exist in isolation from the world. They draw on shared resources, shape public discourse, influence political and economic systems, and leave lasting marks on the societies they inhabit. In an era of radical transparency, the relationship between an organisation's stated values and its actual societal impact is permanently visible to every audience whose trust the organisation depends on.

The two-audience model treats society as a regulatory environment. The five-audience model treats it as a relationship.

Why five, and why not six

The natural question for anyone considering an expanded audience model is where it stops. If two is too few, why is five enough? Why not six? Why not nine?

The answer is that the set of five is bounded by a specific test. Each audience in the model meets three criteria: it has a distinct relationship dynamic with the organisation, it materially affects organisational performance through its experience of the organisation, and it cannot be subsumed into one of the others without losing the precision that managing it requires.

Customers and employees clearly meet these criteria. Partners meet them: their relationship dynamic is contractual and collaborative, not transactional; their experience determines what the organisation can deliver to consumers; and they cannot be folded into the consumer audience without losing the commercial specificity of how they need to be managed. Influencers meet them: their relationship is built on authenticity rather than exchange; their experience shapes perception at scale; and they cannot be folded into the consumer or partner categories without losing the distinct logic of their relationship to the organisation. Society meets them: its relationship dynamic is the broadest and most complex; its experience determines the conditions under which the organisation is permitted, trusted, and chosen to operate; and it cannot be folded into any other audience without losing the systemic perspective that managing it requires.

The most common challenge to this set is the absence of stakeholders, and shareholders in particular.  

"Stakeholder" as a category is broader than any of the five Experience Ecosystem Framework™ (XEF) audiences. Coined by R. Edward Freeman in 1984, it refers to any group that can affect or is affected by the organisation's objectives. By that definition, stakeholders include employees, consumers, partners, suppliers, shareholders, lenders, regulators, communities, and the media. The breadth of the term is the source of its problem. "Stakeholder" is a category large enough to contain almost everyone an organisation interacts with, which makes it strategically meaningful but operationally insufficient. An organisation cannot have an experience strategy for stakeholders any more than it can have a marketing strategy for people. The five XEF audiences sit within the broader stakeholder set, and managing them well is the operational discipline that "stakeholder management" lacks.

Shareholders deserve a separate treatment, because they are the most likely candidate for a sixth audience and the answer is structural. Shareholders are not affected by how the organisation produces its results in the way the five audiences are. They are affected by what it produces. Their relationship is mediated by financial performance, fiduciary duty, and capital allocation decisions. The discipline that manages them is investor relations, governed by securities law and financial reporting frameworks, not by behavioural standards or experience principles. Shareholders are downstream of the experience the organisation delivers, not parallel to it. A well-managed employee, consumer, partner, influencer, and societal experience produces the commercial outcomes that shareholders care about. They are the beneficiary of good experience management, not a target of it.

The same logic excludes other commonly proposed sixth audiences. Regulators sit within the societal audience: they act as society's institutional representatives but do not constitute a separate relationship dynamic. Suppliers sit within the partner audience: they share its commercial logic and are managed by the same principles. Board members are part of organisational leadership, not an external audience to be managed. Competitors are a market force, not a relationship the organisation manages experientially.

The set of five is not the product of a desire for symmetry. It is the result of applying a consistent test to the relationships whose experience of an organisation materially shapes its performance.  

What the five-audience model makes possible

The commercial argument for the expanded audience model is that managing five audiences is more profitable than managing two. The reinforcing relationships between them mean that trust earned in one audience generates trust in the next. The compound effect of that trust becomes one of the most durable competitive advantages available.

The cautionary argument is equally important. A failure in any one audience relationship now travels. A poor partner experience produces a degraded consumer experience. A poor influencer relationship produces a damaged public perception. A poor societal experience produces regulatory and talent consequences. An organisation managing two audience relationships in a world that demands five is not simply underperforming in the other three. It is carrying structural risk that grows with every year those relationships remain unmanaged.

The frameworks designed around the two-audience model cannot be extended to manage the other three with credibility. The architecture is not there. Adding "stakeholder management" as an appendix to a customer experience framework does not produce a five-audience discipline. It produces a customer experience framework with the appearance of breadth.

The work required is structural. It begins with the recognition that the field has been operating with an incomplete audience model, and that the organisations now pulling ahead are the ones who have already expanded the frame. The longer the gap remains, the harder it becomes to close.

The audience spectrum has expanded. The discipline needs to expand with it.

Start a conversation

Ready to redefine your experience?

If your experience investment is not producing the return you expected, we can help you understand why, and build a clear, practical path to fix it.
A photo of Amy Pirie.
Amy Pirie
Founder